让我看看我什么时候才能做完物理。
我真的受不了了啊，现在的galgame一抓一把伪娘，我艹他****的伪娘，好好的妹子你偏说是汉子，我干干干！
我写完物理作业，已经是半夜的事了
耶，今晚可以有破文更新
**，我只能说我罪过了。读书读得连刀剑神域更新了都不知道！我去，今晚要通宵了
罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了罪过了
发生啥事
读书读得连刀剑神域更新了都不知道
娘的，这复习高的我鸡飞狗走的
回来了，很开心，到时再来水，先洗洗睡
晚上再来吧，如果起得来的话，这次照了不少照片，打算图文并茂。这应该是我过的最开心的一个感恩节。
滚妈了，感觉明天要复习不完
我想忘却了那些该死的“五职分权”什么“三言画”之类的东西了，我要复习
“五职分权”和“三言画”实在有趣，我都乐不思蜀了~
关于摄影计划，脑里已经大概有一个构思了，等到月考完了就去做。除此之外月考之后还有另外一个计划，不过还在酝酿。
＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿
专业
我已经迫不及待地装逼了！
玩了一天游戏
我的天呐。定了十点的闹钟。结果到现在两点半才起来。最近每天都这样。我要疯了。不过做了梦…恩…最近每天都做梦…
梦到我又去了西藏，跟父母一起。去泡温泉，但那是个像古堡一样的地方，不知道怎么描述，挂在石墙上的火炬，一扇扇门，推开门，里面就是一个个的温泉。但是有一扇门推开来是一个迷宫，里面有更多的门，地上还有火焰，跟使命召唤九黑色行动2里的一模一样…恩…因为感恩节一直在玩…里面也有玉米地迷宫，死了好久过不去。
我的意思是地上的火焰跟使命召唤里的一样，其他的，我不知道来自于什么。迷宫里面的门是这样的，三扇门在一起把我挡住，我一次只能推开一扇（恩，梦的逻辑）。我推开了之后发现地面是火焰，但我还是照走了，伤了一点血然后就回复了，跟使命召唤里一模一样。后来不知道为什么我就回去了大厅找我父母，好像是我不想走太深迷失在里面吧。
当我们准备再进回温泉的时候，人突然多了起来，多到有**用铁栏杆控制每条路的旅客人数。
**是cop的意思，就是…jing茶
后来我妈叫我去吃饭，我就进了一个房里（一直是古堡的那种设定），房子很小，除了一张椭圆形桌子和凳子，就没有其他任何空间了。我惊讶地发现桌子上坐的都是当时一起的旅友，很清楚地看到了他们的脸，但是现在我反倒记不清楚。
他们说就是来这里泡一下这个温泉的，马上就回去了。饭菜很好吃，可能是我吃过的最好的之一，每一道菜都是那么美味。
我很高兴，因为太巧了。我说你们都在这也是因为巧合吗，他们说当然不是啦，是约好了一起过来的。
大概就是这样了，整个梦一直没有恐怖的气氛，是像千与千寻里那种神秘唯美的那种。可能是因为我看了Life of Pi吧。还有很多细节记不清了，或者说很难表述，所以就算了吧。
我的天呐。定了十点的闹钟。结果到现在两点半才起来。最近每天都这样。我要疯了。不过做了梦…恩…最近每天都做梦…
___________________________________
我也想每天都做梦,经常有很有趣的故事,真的很有趣,我要是能整天做梦我就整天做梦了.
jing茶
_______
好好喝
不过最近我没有非常算得上故事的梦.
玩刺客信条3看了富兰克林的animus的介绍,然后正好今天考试用到了,希望那个条目不是假的.
我最近没有什么值得一写的事，就是前天说梦话用粗口骂人被我爸妈听见了，然后就是，我在梦里面有梦境意识，这是真的
话说我一直也是觉得摄影很有意思.
最近天气挺凉的,但是我挺喜欢.
玩刺客信条3看了富兰克林的animus的介绍,然后正好今天考试用到了,希望那个条目不是假的.
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animus是啥？哪个考试用到的。
梦里面的梦境意识吗，我似乎从来没试过。只试过那种迷迷糊糊地感觉脑海中正在经历什么，但是只要一睁眼就全部烟消云散的那种状态，没法控制，虽然可以下意识地让它继续演下去。
我的感恩节报导又要太监了。大学搞不完了。后悔啊，妈的。
回10144，就是这种感觉，有时要醒来了，强行闭紧眼睛，剧情能延长一段。但大部分时候都是不幸醒来了，然后就慢慢都忘掉了。忘到某个阀值后，就再回不到梦里了。
animus是那台机器啊。
郝亮让我从同学的视角写篇他的介绍，offer要用，有什么主意吗。
回10144，就是这种感觉，有时要醒来了，强行闭紧眼睛，剧情能延长一段。但大部分时候都是不幸醒来了，然后就慢慢都忘掉了。忘到某个阀值后，就再回不到梦里了。
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嗯，我从未试过能够控制自己的梦。上次在B站上看到一个视频教你如何控制梦境。。还得练习。。太麻烦了我就放弃了
郝亮让我从同学的视角写篇他的介绍，offer要用，有什么主意吗。
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申大学的offer？吊爆了。
就诚恳地写就好了，没什么比这更重要。
我听说练习控制梦境很容易醒来的时候鬼压身，我就没敢练习。
但是如果我真有这个技能的话就可以在梦里亲身体验**了呼呼
英语作文总算写完了，拖了三个星期，我的天啊，简直太颓废了。。。天啊。但是这篇挺让我满意的就是了。。我决定发上来吧。
Jason Li
Mr. Bernard
AP Renaissance Lit.
November 11, 2012
Considered to be one of the greatest tragedies written by Shakespeare,
Hamlet
involves both internal and external conflicts. However, unlike other stories whose drama and climax are usually associate with external events, it is Hamlet’s internal conflicts that endow the play with the sense of excitement, drama and climax.
The main source of Hamlet’s internal struggle is his procrastination to kill Claudius, which is rooted deeply in his subconsciousness, giving the play the overall sense of drama. Initially, his pain is caused by the death of his father and his mother’s hasty marriage. It soon turns into internal struggle after he is told by the ghost of Old Hamlet that Claudius is the murderer. While he is full of hatred for Claudius, he is not willing to take actions against Claudius blindly because he is suspicious that the ghost might be “a devil” that “abuses [him] to damn” him “out of [his] weakness and [his] melancholy.” However, from his second soliloquy, which is given after he watches the actors performing “The Mobled Queen”, it can be detected that the uncertainty about the identity of the ghost is only the ostensible reason that he doesn’t act. Throughout the soliloquy, he angrily blames himself for being “the son of a dear father murdered, prompted to [his] revenge by heaven and hell” yet “unpregnant of [his] cause, and can say nothing” for the king “whose property and most dear life” is taken away by the “remorseless, treacherous, lecherous, kindless villain.” Although he has devised the “mousetrap” play to “catch the conscience of the king” and thus to assure the righteousness of his cause, it is obvious that deep inside his subconsciousness, he has already been firmly convinced that what the ghost says is true. From this perspective, his suspicion seems only to be one of the many excuses made unconsciously that aim to ease his internal conflict temporarily, though he might not notice. Therefore, he is essentially battling inwardly with his subconsciousness, which tries to escape the reality and thus causes his procrastination. Because his character has already been shaped by his past experience, it is almost impossible to change. Thus, Hamlet’s internal conflict, in which he is trying to win against an invincible enemy, his subconsciousness, is fundamental to the sense of drama of the play.
The dichotomy of life and death is the main conflict that contributes to his procrastination. Hamlet contemplates suicide even in the very beginning of the play. Left alone at the wedding scene of Claudius and Gertrude, he wishes that his “too too solid flesh would melt, thaw and resolve itself into a dew” and that “the Everlasting had not fix’d His canon ‘gainst self-slaughter” because suicide see***ike a liberation from this “weary, stale, flat, and unprofitable” world. This theme is evident throughout the rest of the play. In his “To be or not to be” soliloquy, he questions “whether ‘tis nobler” to “suffer the slings and arrows of outrageous fortune” or to “take arms against a sea of troubles”. If death can “end the heartache and the thousand natural shocks that flesh is heir to”, then it is “a consummation devoutly to be wished”. However, according to Hamlet, although people can make their “quietus with a bare bodkin”, they still choose to “bear the whips and scorns of time” and to “grunt and sweat under a weary life” because ”the dread of something after death, the undiscovered country from whose bourn not traveler returns puzzles the will”. It is the unknown world that makes people “cowards” and “lose the name of action”. Therefore, to Hamlet, life itself is an internal struggle, subject to either won or lost.
The fact that his conflict is eventually resolved by his instinct rather than reason, significantly accentuates the drama of the play. Due to his internal conflict, Hamlet does not take actions unless his life is at stake, since under such circumstance human instinct is over the “craven scruple of thinking”. Although he kills Polonius, who is thought
to be the king, this act can only be carried out at this very moment that Hamlet has to take actions immediately because Polonius is crying out for help. After witnessing Fortinbras’ army is going to fight for a land that has not actual value, Hamlet is inspired and resolves his dilemma: “rightly to be great is not to stir without great argument, but greatly to find quarrel in a straw when honor’s at the stake.” He finally determines to take actions by saying that “from this time forth”, his “thoughts be bloody or be nothing worth”. Yet he still procrastinates. It is not until the very last moment, when he knows his mother is poisoned to death and his own death is approaching, does he eventually take actions and kill Claudius. It is his instinct that drives him to react, not his reason. Even until this crucial moment, he still cannot extricate himself from the influence of his subconsciousness. Nonetheless, since the external conflict is resolved, there is no longer necessary for him to battle inwardly. Therefore, Hamlet’s death is a perfect way to end the play, ultimately reconciling both of the external and internal conflicts.
Although the outward conflict in the end of the play marks the climax, the central conflict begins internally within Hamlet’s mind and crescendos to the outbreak of the physical antagonism, which finally results in his own death and makes him a tragic hero. Therefore, the overall sense of drama of the play is reliant on Hamlet’s internal struggle, in which he tries to prevail against his subconsciousness, an almost invincible enemy.
Hi, Mr. Bernard,
I feel really sorry for turning this in so late.. I had the same problem as Hamlet does. Obviously my subconsciousness, which drives me to escape the harsh reality, prevails. Sorry about that...
Jason
发现一个语法错误
十二月一号学校给的大学deadline是赶不上了，不幸中的万幸是大学真正的deadline应该还是可以的。12月1号的就是UC，UW和Rose-Hulman，这两三天少睡点吧，没什么大不了的。可惜我有战士的心没有战士的意志，shame on me
大学作文质量没法保证了，但是除了UC不敢说之外，其他两所应该都是妥妥的，所以也没什么所谓。就这样吧。我这样的人也不配去那么好的学校。。
晚安米娜桑。说起这个我想到了托雷。
梦境嘛，我有的，就是会突然可以控制自己在梦中的思想，直接左右梦境走向